late 16th century to early 17th century
In this scene Siyavush shown galloping into the fire while his father, also mounted, watches anxiously from the forecourt of his nearby palace. Peering from the window above is the would-be seductress, Sudaba, who gestures toward Siyavush. The handsome prince, his black mount, and the towering golden flames that engulf them are here closer to the center of the composition. Although hairstyles and headgear differ, the two versions of this scene in the Calderwood Collection feature similar architectural decoration. Furthermore, the compositional elements that they share irrespective of format suggest the existence of an established iconographic convention for illustrating this episode of the Shahnama.
34 x 21.4 cm (13 3/8 x 8 7/16 in.)
[Hadji Baba Ancient Art, London, 1985], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1985-2002), gift; to Harvard Art Museums, 2002.
Ink and opaque watercolor on paper
14th centurySyrianInk, opaque watercolor and gold on paper
16th centuryPersianInk and pigments on paper
18th centuryNepaleseInk, colors, and gold on paper
17th-18th centuryIndianInk, opaque watercolor and gold on paper, with lacquer binding
19th centuryOttomanInk, opaque watercolor and gold on paper
16th centuryNorth AfricanInk, opaque watercolor and gold on paper
16th centuryPersianInk, colors, and gold on paper
16th centuryPersianWatercolor, gold-colored pigments, and lacquer on pasteboard (covers) Ink, gold, and colors on paper (text)
19th centuryPersianInk, colors, and gold on paper
19th centuryOttomanInk, opaque watercolor and gold on paper
19th centuryOttomanInk, colors, and gold on paper
19th centuryPersian