second half of the 17th century
This fragmentary drawing portrays Raja Karan Singh of Bikaner (r. 1631–69) on horseback. Shown in profile, the ruler wears an elaborate turban and gem-studded jewelry. Detailed brushwork and shading give a sense of volume to the bodies of horse and rider; the animal’s galloping stance and the flying bands of the raja’s clothing create the impression of lively motion. Because Raja Karan Singh was alternately an ally and a foe of Mughal emperor Aurangzeb (r. 1658–1707), this portrait, like other art produced in Bikaner during his reign, merges local artistic traditions with Mughal idioms, reflecting both the self-identity of the house of Bikaner and its complex relations with the Mughals.
26 x 19 cm (10 1/4 x 7 1/2 in.)
Stanford and Norma Jean Calderwood, Belmont, MA (by 1992-2002), gift; to Harvard Art Museums, 2002.
Ink, opaque watercolor and gold on paper
17th centuryIndianInk with opaque watercolor and gold on paper
17th-18th centuryIndianOpaque watercolor and gold on paper
17th centuryIndianInk with opaque watercolor and gold on paper
17th-18th centuryIndianInk with opaque watercolor and gold on paper
17th-18th centuryIndianInk with opaque watercolor and gold on paper
17th-18th centuryIndianInk with opaque watercolor and gold on paper
17th-18th centuryIndianInk with opaque watercolor and gold on paper
17th-18th centuryIndianInk with opaque watercolor and gold on paper
17th-18th centuryIndianInk, opaque watercolor and gold on paper
17th centuryIndianInk with opaque watercolor and gold on paper
17th-18th centuryIndianInk with opaque watercolor and gold on paper
17th-18th centuryIndian