14th century
On the interior, this bowl is divided into ten radial sections, corresponding with its sides, that feature two alternating designs. One is pseudo-calligraphic, proceeding from the center of the bowl to the rim, with horizontal elements contracting and verticals expanding. The other design is tripartite and abstract. The intricacy and dark coloration of the interior contrast with the cheerful simplicity of the outside, where the white ceramic body remains more visible through a surface embellishment of lines and dots. The shape and decoration of this bowl are common among wares attributed to the Ilkhanid period, although their production place has not been definitively established.
9.7 x 13.6 cm (3 13/16 x 5 3/8 in.)
[Mansour Gallery, London, 1975], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1975-2002), gift; to Harvard Art Museums, 2002.
Ceramic
18th centuryJapaneseSilver
18th centuryBritishBronze, leaded bronze handle
5th century BCEEtruscanHard-paste porcelain with feldspathic glaze
18th-19th centuryGermanImitation Jun ware: porcelain with variegated purple glaze. Perhaps made at Jingdezhen, Jiangxi province.
18th centuryChineseSilver
18th centuryIrishPorcelain with decoration reserved in white against an overglaze red enamel ground, the pictorial elements articulated with black enamel, and the foliage covered with green enamel; with underglaze cobalt-blue mark reading "Da Ming Jiajing nian zhi" on the base
16th centuryChineseEnameled blue-and-white ware: porcelain with decoration reserved in white against an underglaze cobalt-blue ground and with overglaze yellow enamel over the white decoration; underglaze cobalt-blue mark reading "Da Ming Jiajing nian zhi" written on the base against a cobalt-blue ground
16th centuryChineseCeramic
19th centuryAmericanRock crystal
19th centuryChineseBlack earthenware
3rd millennium BCEChinese