14th century
Radial lines divide the interior of this bowl into twelve sections, which are decorated with three different designs—foliate motifs, cursive forms, and series of dots and fine lines. A narrow band encircles the bowl just under the flat, patterned rim. Circling the upper exterior is a cobalt-blue pseudo-inscription; below this is another band containing black scrollwork roundels.The foliate and line-and-dot motifs of this bowl, as well as the use and placement of cobalt, recall the lusterwares of the Seljuk-Atabeg period. Those prestigious vessels likely provided design inspiration for less expensive underglaze-painted wares like this one, which typifies Ilkhanid bowls in shape and decoration. Although the glaze has suffered abrasion and is cracked in several places, the bowl itself is intact.
11 x 22.3 cm (4 5/16 x 8 3/4 in.)
Stanford and Norma Jean Calderwood, Belmont, MA (1978-2002), gift; to Harvard Art Museums, 2002.
Metal
20th centuryAustrianNorthern russet ware of Cizhou type: light gray stoneware with russet-surfaced dark brown glaze
12th centuryChineseEnameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with underglaze cobalt-blue hallmark reading "Shendetang zhi" within a double circle on the base
17th centuryChineseTerracotta
Numbered Jun ware: light gray stoneware with variegated blue glaze; with Chinese numeral 1 (yi) inscribed on base before firing; "Yangxin dian Dongnuan ge louxia yong" (Hall of Mental Cultivation, used in the East Heated Chamber, main floor) inscription incised on base at a later date
15th centuryChineseEnameled blue-and-white ware: porcelain with decoration painted in underglaze cobalt blue and overglaze red enamel
16th centuryChineseSilver
17th centuryBritishBlue glass
1st century CERomanMarble
3rd millennium BCECycladicLight gray stoneware with incised and openwork decoration and with traces of natural ash glaze
5th centuryKorean