Small Dish with Stylized Rock Dove
c. 1675-1725
Description
Except for the brown rim, all the decoration on this small, round dish is painted in shades of cobalt blue. A rotund bird with backward-turning head neatly fills the interior. Around the exterior, a band defined by two painted lines encloses single dots alternating with beribboned fans; paired lines circle the inside and outside of the foot ring. The bowl has been put back together from fragments; plaster fills shaped like half-moons complete the rim. Along with the fans and floating ribbons, the brown rim points to the influence of Chinese export porcelain wares known as Kraak, which were produced in vast quantities to meet international demand. Potters working in late Safavid Iran painted an imitation of the colored rim dressing that in the second half of the seventeenth century was applied to these Chinese export wares to guard against chipping. Elegantly or hastily painted, birds are a common motif on blue-and- white ceramics from China and Iran. In the late Safavid period, artists produced beautiful drawings and paintings of birds. These works on paper usually feature generic songbirds perched on flowering branches; only rarely can their species be identified. The combination of bird and flowering branch was also rendered in luxury textiles, with an occasional butterfly or moth added to the mix. The squat bird on this bowl lacks a perch. With wings embellished by veined lotus leaves, it was clearly not intended as a botanical study. Nevertheless, its potbelly, square tail, banded and slightly lifted wings, and large feet suggest that it is a rock dove (feral pigeon), perhaps of a checkered variety. These omnipresent bluish-gray birds were much valued in Safavid Iran, where large mud-brick towers were constructed to house them by the thousands. Such pigeon towers served as collecting points for bird droppings, which, when mixed with soil and ash, were for centuries a prized fertilizer.
Dimensions
3.2 x 15.5 cm (1 1/4 x 6 1/8 in.)
Provenance
[Galerie für Griechische, Römische und Byzantinische Kunst, Frankfurt, 1972], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1972-2002), gift; to Harvard Art Museums, 2002.
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