c.1630
A youthful dervish, his clothing rendered in uniformly dark hues of cool green, purple, and brown that contrast with the warm pink of his face and hands, is posed against a ground of ivory-colored paper, unpainted save for a common repertoire of golden landscape elements. He wears a plumed wool cap, carries a staff over his shoulder, and offers a sprig of yellow, red, and gray leaves to a companion beyond the picture frame. An inscription that reads, raqm/raqam-i kamina Riza-yi ?Abbasi (work of the humble Riza ?Abbasi)—the customary wording of the artist’s signed works—appears at the lower left. Although raqm or raqam ordinarily means “writing” or “figuring,” here it makes more sense translated as “work” or “design.” Riza’s frequent use of this term in his signatures suggests a conceptual blurring of the boundaries between the arts of writing and of depicting and, in addition, may represent a claim of entitlement to the high status accorded to calligraphers.
32.3 x 20.4 cm (12 11/16 x 8 1/16 in.)
The Hagop Kevorkian Fund, 1976, sold; through [Sotheby, London, 12 April 1976] sold; to [Mansour Gallery, London, before 1995], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (by 1995-2002) gift; to Harvard Art Museums, 2002.
Ink, opaque watercolor and gold on paper
16th-17th centuryPersianInk, opaque watercolor and gold on paper
16th-17th centuryPersianInk, opaque watercolor and gold on paper
16th-17th centuryPersianInk, opaque watercolor and gold on paper
17th centuryPersianCalligraphy; ink, gold, and opaque watercolor on paper
16th-17th centuryPersianInk on paper
17th centuryPersianInk, opaque watercolor, and gold on paper
17th centuryPersianInk, opaque watercolor and gold on paper
17th-18th centuryPersianBlack ink, opaque watercolor, gold, and silver on paper with underdrawing in black ink
17th centuryPersianInk and gold on paper
17th centuryPersianInk, opaque watercolor and gold on paper
16th-17th centuryPersian