ManuscriptsPersian16th century

Double page: Rustam Mourns Sohrab and Carries His Coffin (painting, recto; text, verso), folio from a manuscript of the Shahnama by Firdawsi

1575-1590

Description

This painting is part of a double-page composition that represents two final moments in the tragic tale of Rustam, the great Iranian hero, and his son, Sohrab. Rustam had departed the kingdom of his bride, Tahmina, before Sohrab’s birth. He was unaware of his son’s existence until they met, years later, on the battlefield, where Sohrab was leading the Turanian army against the Iranians. Not recognizing each other, the two champions fought in fierce single combat on three successive days. Only after Rustam managed to wrestle Sohrab to the ground and fatally stab him was the identity of the mighty young warrior revealed to his distraught father. The painting on the right depicts Rustam kneeling next to his dying son, who lies mortally wounded. Sohrab’s coat has been partially pulled off to reveal on his arm the amulet that Rustam gave Tahmina the night Sohrab was conceived. Warriors of the two armies, looking on in shock, encircle the two heroes. The painting on the left shows Rustam singlehandedly carrying the coffin of his son. The mourners around him raise their arms in the air, beat their chests, and undo their turbans in grief. The double-page composition is surrounded by lavish gold-and-blue illuminated borders consisting of curvilinear trefoils and floral tracery.

Classification

Manuscripts

Medium

Ink, opaque watercolor and gold on paper

Culture

Persian

Period

Safavid period

Century

16th century

Division

Asian and Mediterranean Art

Department

Department of Islamic & Later Indian Art

Dimensions

42.7 x 27.1 cm (16 13/16 x 10 11/16 in.)

Provenance

[Mansour Gallery, London, before 1990 or 1992], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (by 1990 or 1992-2002), gift; to Harvard Art Museums, 2002.