1562
Succumbing to his own foreboding and the envy of his courtiers toward Siyavush, Afrasiyab eventually ordered the execution of the Iranian prince whom he had welcomed into his family. Happy to oblige the monarch, jealous Guruy cut the prince’s throat, catching his blood in a golden basin. Siyavush met death bravely, knowing that his wife Farangis would soon give birth to a son, Kay Khusraw, who would unite the lands of Turan and Iran under one crown. While the text indicates that the execution took place in a wasteland outside Siyavush’s capital city, the illustration sets the scene within the confines of a palace crowded with figures, including an enthroned Afrasiyab, court officials, and Farangis, who is being seized as a captive. The illustration shows the dramatic moment when Siyavush’s blood gushes forth into the basin.
37.3 x 24 cm (14 11/16 x 9 7/16 in.)
[Christies, London, 17 October 1995, lot no. 79]. [Mansour Gallery, London, before 1998], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (by 1998-2002), gift; to Harvard Art Museums, 2002.
Ink, opaque watercolor and gold on paper
16th centuryPersianGold and watercolor on paper.
16th-17th centuryPersianCalligraphy; ink, opaque watercolor and gold on paper
16th centuryPersianInk, colors, and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th-17th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk and gold on paper
16th and 19th centuryPersian